Red Canarywood, also called Tarara Colorada and sometimes sold as “Ruby,” is a rare Central American hardwood from the Platymiscium genus. That's the same group that includes Granadillo and Hormigo, both well known to instrument makers and furniture builders for their beauty and tone.It's valued for its rich red to salmon color and warm, golden shimmer. The grain is straight or slightly interlocked and the texture medium, with a natural luster that comes up beautifully under finish. Like many red woods, its color will slowly mellow with light exposure, so a finish with UV protection helps keep it bright.It machines cleanly, glues easily and is a pleasure to work, with a good balance of strength and workability. It turns well and sands to a smooth, lustrous surface.Despite the name, it's unrelated to the more common Canarywood (Centrolobium), though it offers a similar mix of color and usability in a much rarer package. It's well suited to turnings, boxes, cabinetry, instrument parts and specialty pieces where its color can take center stage.

Picana Negra (Cordia alliodora), also called Bolivian Bocote, Laurel Negro or Salmwood, is a South American hardwood from the same genus as Bocote. The species grows widely from Mexico to Argentina.It has dark brown tones with black streaks and a fine texture, and some boards show grain every bit as striking as Bocote's. The color can vary from golden brown to darker chocolate depending on where the tree grew, and it darkens a little with age.It's prized by craftsmen for its workability and smooth finish, and it's a medium-weight wood that's comfortable to handle. It cuts cleanly, sands well and takes an oil or clear finish beautifully, which brings out the contrast in its streaks. It's also fairly stable and moderately durable.Picana Negra offers great grain at a fair price. It's well suited to boxes, cabinetry, fine furniture, handles, guitar backs and sides, and other musical instruments. See also its relatives Louro Preto and Ziricote.

Yellow Rosa (Aspidosperma sp.) is a vibrant yellow hardwood and an excellent alternative to Yellowheart. The Aspidosperma genus grows across Central and South America and includes several well-known timbers, such as Peroba Rosa.It's mostly golden, but some boards show soft patches of pink and orange, reminiscent of Peroba Rosa's classic tones. The grain is mostly straight with a fine, even texture, and those occasional color shifts give each board a bit of individuality.It's fine-textured and durable, with a good balance of beauty, strength and workability, and it takes a finish well. A clear finish brings out its warm golden glow, and like most yellow woods it slowly mellows to a deeper gold over time. Sharp tools help where the grain is irregular, and it sands to a smooth, even surface.Yellow Rosa is well suited to fine furniture, flooring, cabinetry, boxes, crafts and other woodworking where you want a splash of color. It pairs especially well with dark woods like Black Walnut or Wenge for contrast.

Black Locust (Robinia pseudoacacia) is a hard, strong hardwood native to the central and eastern United States, and one of the most durable woods in North America.The heartwood is greenish-yellow to golden brown when fresh, mellowing to a medium brown with age, and the sapwood is a narrow pale band. The grain is usually fairly straight with a medium texture. It's durable, rot-resistant and fairly stable, which makes it one of the best native woods for outdoor use.Its hardness makes it a little more work to machine, so keep tools sharp and pre-drill for fasteners. It finishes well and weathers to an attractive silver grey if left outdoors.Black Locust fence posts are famous for lasting decades in the ground, and the wood has a long history in shipbuilding, where it was used for wooden pegs called trunnels. It's a great choice for fencing, outdoor furniture, decking, flooring, raised garden beds and handles. We stock it in 4/4 and 8/4, and quality varies, so choose your pieces carefully. For another durable outdoor wood, see Osage Orange.

Argentine Osage Orange (Maclura tinctoria), also called Fustic or Mora, is a South American relative of the domestic Osage Orange, with the same bright yellow-orange color. It grows from Mexico to Argentina, and was once a major source of yellow dye.It usually comes in larger sizes, with cleaner lumber and fewer defects than the US species. Like its cousin, its color deepens over time toward a richer golden brown, and a finish with UV protection slows the change. The grain is straight to interlocked with a medium texture.It's hard and dense, so it's tough on tools, but it turns and finishes well, polishing to a lovely luster. Sharp tools and light passes give the cleanest results. It's naturally durable, sharing much of its cousin's resistance to rot.It's a great choice for boxes, inlay, carving, cabinetry, crafts, bows, turnings and specialty pieces where you want a splash of color, and its larger, cleaner boards make it easier to use than the domestic species. For another bright yellow, see Yellowheart.

Chakte Viga (Caesalpinia platyloba) is a vibrant Central American wood that has been emerging from relative obscurity over the past decade or so. It's thought to be closely related to Pernambuco, the classic violin-bow wood, and shares some of its acoustic properties.The colors range from orange to golden brown, with gold, red and occasionally green accents, set against pale off-white to yellow sapwood. Like many orange woods, it deepens toward a richer reddish-brown over time. The grain is straight, sometimes interlocked, and the texture fine with excellent luster.It's dense and hard, but it works easily with sharp tools and finishes well, and a clear lacquer can bring out a shimmering, three-dimensional chatoyance. It turns beautifully, which makes it a favorite for pens, bowls and small turnings.We think it has real potential as a guitar tonewood and for fine furniture, and it's a great choice for turnings, inlay, boxes and accents. If you like its color, see also African Padauk and Canarywood.

Longhi (Gambeya spp.) is a well-priced, light-colored African hardwood from the tropical forests of West and Central Africa. It has working properties similar to its better-known cousin, Anegre.Its color ranges from greyish-white to beige and pinkish-brown, darkening slightly with age and light exposure. The sapwood is hard to tell apart. The grain is usually straight, sometimes interlocked, and the texture fine to medium-fine, with occasional mottled or subtle tiger-stripe figure that can be very attractive.It needs careful drying to avoid fungal staining. Once dry, it's moderately durable and stable. It machines, glues and finishes well, and its light color takes stain evenly if you want a different look.Longhi has a good strength-to-weight ratio, which makes it a popular choice for flooring and decking, as well as cabinetry, furniture, interior joinery and veneer. It's a practical, affordable option when you want a light-colored hardwood that's easy to work.

Yellow Birch (Betula alleghaniensis) is one of the most useful North American hardwoods, and ours is sourced locally in Maine. It's a well-priced alternative to Maple.The heartwood ranges from pale yellow to a light reddish-brown, with grayish-white sapwood. The grain is generally straight and the texture fine and even. Figured boards with wide curl, similar to Cherry, are especially prized and sold as Flame Birch.It works easily, and it turns, glues and finishes well, though most boards have little natural luster until finished. It's strong and hard-wearing, but it isn't durable outdoors, so keep it protected.Yellow Birch is used for cabinetry, furniture, flooring, boxes and crafts, and it's one of the most popular woods for veneer and plywood.

Red Alder (Alnus rubra) is the most abundant hardwood in the US Pacific Northwest, where it has long been used for furniture and cabinetry. It's also been a popular electric guitar body wood since the instrument first went into mass production in the 1950s.The color ranges from light tan to reddish-brown. It's light and soft for a hardwood, which makes it very easy to work, and it glues and finishes well. Many cabinetmakers compare its easy-going nature to Black Cherry.Alder is usually sold in two grades, knotty and clear, with clear preferred for furniture and cabinets. The surface dents easily until it's finished, so a hard finish such as lacquer is a good idea. It isn't durable outdoors, so it's best kept to indoor projects such as cabinetry, millwork and instruments.

Figured Black Walnut (Juglans nigra) is American Black Walnut with striking figure across the grain, such as curl, crotch or wavy figure. It's the walnut that makers save for their best work.Black Walnut is prized for its deep chocolate color, often with red or purple streaks, a fine texture and a warm luster. Figure adds shimmer and depth that a plain board can't match, and the effect shifts as you move around the piece.It's strong for its weight, stable, shock-resistant and durable, and it's a pleasure to work. Take light passes on figured areas to avoid tear-out, or use a scraper or card scraper for the final surface. An oil finish really brings the figure to life, and a clear topcoat over oil keeps that depth while adding protection.Figured boards are the most sought-after walnut, and the best pieces are limited in supply. They're ideal for showpiece furniture, tabletops, gun stocks, boxes, guitar backs, turnings and veneer. See also plain American Black Walnut and English Walnut.

Brown Ebony (Libidibia paraguariensis), also called Brazilian Ebony or Guayacan, is a South American hardwood. It isn't a true ebony, but it shares the ebonies' density and hardness, which is where the name comes from.The heartwood is a deep chocolate to dark brown, sometimes with darker streaks and a subtle olive or reddish tint. It's a little odd to call a brown wood “ebony,” but once you feel its weight, the comparison makes sense. The texture is fine and even, with a good natural luster.It's very dense and hard to work, so sharp tools and patience are needed, and it can dull blades quickly. The effort pays off in a smooth, glassy finish with a rich, deep color, and it turns exceptionally well.Brown Ebony is popular for turning, musical instrument parts, inlay, carving, knife handles and decorative pieces. It isn't often available, so it's a nice one to add to your collection. For true ebonies, see Gabon Ebony and Macassar Ebony.

Spalted Maple isn't a species. It's maple with black lines and streaks caused by fungi in the early stages of decay, often in logs that have lain on the forest floor for a while before being sawn.The spalting creates random, dramatic patterns of black zone lines, sometimes with patches of pink, grey or cream, so every board is unique. Spalting can't be planned, so every piece is a one-off. The process is stopped once the wood is kiln-dried.Some pieces may have softer areas where the spalting is heavier, so check your stock, use sharp tools, and consider a sanding sealer or stabilizing before finishing. Sand with fine grits to avoid smearing the dark lines. Wear a dust mask, as fungal spores add to the dust.Spalted Maple is a favorite for turnings, bowls, boxes, guitar tops, furniture accents, carving and specialty pieces. For another spalted wood, see Spalted Tamarind, and for maple with beetle-trail streaks, see Ambrosia Maple.

Engelmann Spruce (Picea engelmannii) grows high in the mountains of western North America, from British Columbia and Alberta down through the Rockies. It's prized by acoustic guitar makers for soundboards, thanks to its resonance and quick, responsive tone.The wood is light off-white to cream, a touch paler than Sitka, with straight grain and a fine, even texture. It's generally easy to work with hand and power tools, though it can blotch when stained, so a sealer coat or a clear finish is the safer choice.What makes it special for instruments is its stiffness-to-weight ratio. Construction-grade spruce is plentiful and inexpensive, but small knots are common, so clear, tight-grained, quartersawn billets come from slow-grown, high-altitude trees and are priced accordingly.Sitka Spruce is more widely used for guitar tops, but many builders prefer Engelmann for fingerstyle and classical guitars, where its warm, open sound and lighter weight really shine. It's also used for harps, mandolins, violin family tops and other instruments. For another classic soundboard wood, see Western Red Cedar.

European Sycamore (Acer pseudoplatanus), also called French Sycamore, is a true maple, not the American sycamore or plane tree. As with other maples, the pale sapwood is the part that's prized.The sapwood ranges from almost pure white to light cream, sometimes tinted golden or muted red, while the heartwood is a medium to dark reddish-brown. The grain is usually straight, sometimes wavy, and figured boards with strong curl or flame can be truly dramatic.Its fine, even texture makes it easy to work by hand or machine, though like other maples it can burn with dull cutters or slow feed rates. It turns, glues and finishes well, with a good natural luster, and its pale color takes stains and dyes evenly.European Sycamore has been the traditional wood for the backs, sides and necks of violins, violas, cellos and basses for centuries, valued for its resonance at a moderate weight, which is why it's usually sold quartersawn. It's also used for furniture, cabinetry, flooring, turnings and veneer. For a North American cousin, see Curly Hard Maple.

Tamboti (Spirostachys africana), also called African Sandalwood, is a beautiful southern African hardwood with a pleasant, sandalwood-like scent that lingers in finished pieces.The heartwood is brown to dark brown with darker markings and streaks, clearly set apart from the whitish to pale yellow sapwood. The grain is straight to slightly wavy and the texture fine and even, with a lovely banded figure and a satin luster that feels slightly oily to the touch.It's hard, heavy, very stable and exceptionally resistant to rot and insects. Its natural oils and latex tend to gum up saw blades, so clean blades often, but it turns, carves and finishes beautifully. The tree's sap is toxic and the sawdust can irritate eyes and skin, so wear eye protection and a mask, and never burn offcuts, as the smoke is harmful.Tamboti has long been a favorite of carvers and furniture makers in its home range. It's used for carving, turnings, furniture, cabinetry, flooring and specialty pieces such as boxes, pens and knife handles. See also Kiaat.

Burmese Teak (Tectona grandis), often called Genuine Teak, is one of the world's best-known woods. Teak from Myanmar has long been regarded as the benchmark, and it's prized less for its looks than for its toughness, rot resistance and durability.The heartwood is light to medium brown, with a tint from muted gold to pale red, and it darkens to a warm, rich brown with age. The sapwood is pale white to yellowish-brown. The grain is usually straight, sometimes wavy or interlocked, with a coarse, slightly oily feel.Its high natural oil content makes it very resistant to weather, water and insects, and it's exceptionally stable. It generally works well, but its silica content dulls blades quickly, so carbide tooling helps. The oils can affect glue joints and some finishes, so wipe surfaces with a solvent first.Teak has always done well around water, in boats, ships and docks, and steady demand keeps its price high. It's the classic wood for boatbuilding, decking and outdoor furniture, and it's also used for flooring, carving, turnings and veneer. See also Zambezi Teak.

African Walnut (Lovoa trichilioides), also called Dibetou or Congowood, grows in the tropical forests of West and Central Africa. It isn't a true walnut but a member of the mahogany family, though it shares many of walnut's qualities.The heartwood ranges from golden brown to reddish-brown, often with darker streaks, and it deepens to richer brown tones with age. The narrow sapwood is grey to beige. Quartersawn boards can show a ribbon stripe much like Sapele, and figured pieces turn up fairly often.The grain is straight or slightly interlocked, with a fine to medium, consistent texture and a fine natural luster. It works, turns, glues and finishes well, though sharp tools help avoid tear-out on interlocked boards. It's lighter in weight than American walnut, reasonably stable and moderately durable.African Walnut makes a handsome, more affordable alternative to true walnut for many projects. It's used for furniture, cabinetry, paneling, flooring, gun stocks, carving, boatbuilding and veneer. See also American Black Walnut.

American Black Walnut (Juglans nigra) is one of America's most popular and prized hardwoods, and it's been a favorite of fine furniture makers for centuries. The trees are valued as much for their nuts as for their lumber.It's known for its deep chocolate color, often with red or purple streaks, along with straight to irregular grain, a fine texture and a warm luster. The sapwood is pale cream, and steamed lumber evens out the color, while air-dried boards keep a richer mix of tones.It's strong for its weight, stable once dry, shock-resistant and durable, and its moderate density makes it a pleasure to work. It planes, carves, turns and glues easily and takes an oil finish beautifully, which is why it's long been the top choice for gun stocks.Walnut grows mainly near rivers and streams in the eastern and central US and into southern Ontario. Supply is steady but demand is always strong, making it a premium domestic hardwood. It's used for furniture, cabinetry, gun stocks, paneling, turnings and veneer. For figured stock, see Figured Black Walnut.

Yellowheart (Euxylophora paraensis), also called Pau Amarelo or Brazilian Satinwood, was once one of the most popular yellow woods around. True Yellowheart has now become almost impossible to find.The tree grows only in a small part of the Brazilian Amazon, mostly in Pará and Maranhão, where it occurs naturally at low densities. Decades of selective logging, along with forest clearing for cattle pasture and farming, are thought to have cut its wild population by half or more over the past 60 years. In 2014 Brazil added it to its official list of threatened species, which bans cutting, transporting and selling wild trees, and supply to the US has all but dried up. Much of the “Yellowheart” sold today is actually a different species.The color ranges from pale yellow to bright yellow and gold, and premium boards show a satiny, shimmering figure. It's fine-textured, durable and easy to work, and it finishes beautifully.We still have a small amount of legacy stock, bought before the ban, and once it's gone we won't be able to replace it. For the same golden look in a wood that's readily available, see Yellow Rosa or East Indian Satinwood.

Yellowwood (Podocarpus latifolius) is the national tree of South Africa, and its light, even-grained wood has been used there for hundreds of years, from railway sleepers and building timbers to floors and furniture. The slow-growing trees can reach around 100 feet in moist mountain forests.The heartwood is pale yellowish-brown, sometimes with reddish streaks, and hard to tell apart from the sapwood. The grain is usually straight, occasionally wavy, with a fine, even texture and a nice natural luster.It's tough, stable and easy to work with hand and power tools, and it planes, glues and finishes well. It's fairly light in weight, which makes it pleasant to handle on larger projects, and it takes stains and clear finishes evenly.Old Cape Dutch homes are famous for their yellowwood floors, ceilings and furniture, and antique yellowwood pieces are highly collectible in South Africa. It's still very popular in southern Africa for indoor carpentry and floors. Yellowwood is a lovely choice for boxes, fine furniture and interior work. See also Stinkwood, its traditional partner in Cape furniture.

Shedua (Guibourtia ehie), also called Ovangkol, is a West African hardwood and a cousin of Bubinga, though it looks quite different. It's a popular African tonewood.The heartwood ranges from light to medium yellow to light orange or reddish-brown, usually with darker brown or black stripes, and the sapwood is pale yellow. Tiger stripe, fiddleback and mottled figure turn up on occasion, and boards can vary so much they look like different species.The grain can be straight, wavy or interlocked, with a medium texture and nice luster. It's tough and durable and generally works well, though its silica can gum up blades, and interlocked boards can tear out. It turns, glues and finishes well.Guitar makers use it as a rosewood alternative for backs and sides, with a similar warm tone, and some denser pieces are used for fretboards. It's also used for electric guitar bodies, furniture, cabinetry, flooring, trim, turnings and veneer.

Bog Oak is English Oak (Quercus robur) that has been preserved for centuries, often thousands of years, in a peat bog. Ancient trees fell into the wet ground and were sealed away from the air, then recovered when bogs are drained or dug.Starved of oxygen, the wood doesn't rot. Instead, minerals in the acidic peat react with the tannins in the oak and slowly turn it dark brown to almost black. Some pieces have been radiocarbon-dated to several thousand years old, and every piece has its own history and character.It works much like other oak once dry, though it can be more brittle, so take light passes and handle it with care. Drying must be slow and careful, which is part of why it's so rare. It finishes to a deep, rich luster that no stain can match.Bog Oak is a rare, special wood for boxes, knife handles, jewelry, inlay, pens and small furniture pieces, and it makes a remarkable talking point. See also Slavonian Oak, the same species in its fresh form.

Pau Marfim (Balfourodendron riedelianum), also called Ivorywood or Guatambu, is a dense, fine-textured South American hardwood from Brazil, Argentina and Paraguay. “Marfim” means ivory in Portuguese, after its creamy white color.Its color can range from lemon to a pale yellowish-brown, with little contrast between heartwood and sapwood, though darker streaks sometimes appear. The grain is mostly straight with a very fine, even texture, and density can vary with growing conditions.It's extremely tough and very stable, and it turns excellently. It nails, screws and glues easily and polishes to a smooth, fine finish. It's harder to work than Maple or Birch, and it isn't decay-resistant, so finish it well for outdoor use.Pau Marfim looks a lot like Maple or Birch but is more wear-resistant, which makes it an excellent light-colored flooring. It's also used for tool handles, furniture, cabinetry, carving, turnings, guitar parts and even oars and canoes. For a similar pale wood, see Hard Maple.

Pink Ivory (Berchemia zeyheri), also known as Red Ivory, is one of the rarest and most sought-after woods in the world. It's native to southern Africa, where it's traditionally associated with Zulu royalty, and many guitar makers see it as a “holy grail” tonewood.It's prized for its dazzling pink to red color, which ranges from pale pink to deep red, and occasional striking figure such as curl or chatoyant stripes. The texture is fine and even, with a lovely natural luster.It's very hard and dense, popular with carvers and turners, but it can be difficult to work and dulls blades. It turns beautifully and polishes to a glassy finish, and a finish with UV protection helps preserve its color. The trees are small, rarely much over 35 feet tall with trunks around a foot across, and harvesting in South Africa is limited by permit.As a result, Pink Ivory is mostly available in small, craft-sized pieces. It's used for turnings, knife handles, chess pieces, pool cues, pens, inlay and instrument parts. For another bright red wood, see Bloodwood.

Yellow Poplar (Liriodendron tulipifera), also called Tulip Poplar or American Tulipwood, comes from the tallest hardwood tree in the eastern US, and it's one of the lightest hardwoods. Despite the name, it isn't a true poplar: its tulip-shaped flowers give it its other names.The heartwood is a light cream color, often with grey or green mineral streaks, and the sapwood is ivory to white. Especially colorful boards, with streaks running from red and purple to green and black, are known as Rainbow Poplar. The green tones darken to brown with light exposure.The grain is straight and uniform and the texture medium, so it's very easy to work, and it glues and finishes well when finely sanded. It takes paint better than almost any other hardwood, which makes it the go-to choice for painted work. It's moderately durable and very affordable.It's used for paneling, painted furniture, trim and moulding, drawer sides, crafts, carving, instruments and veneer, and it's a popular electric guitar body wood. For another light, easy-working hardwood, see Basswood.

Genuine Mahogany (Swietenia macrophylla), also called Honduran, Brazilian or Big-leaf Mahogany, is the species most people mean when they say “mahogany.” It grows from Mexico to the Amazon and has long been an important wood throughout Latin America.The color ranges from pale pink to light and medium reddish-brown, deepening to a rich, warm red-brown with age, and it's renowned for its chatoyance. The grain is usually straight but can be interlocked, irregular or wavy, with a fine, even texture and a rich luster. Ribbon and fiddleback figure appear in some boards.It's famously easy to work: it cuts, planes, carves, glues and finishes beautifully, and it's very stable once dry. Wood from natural forests is generally considered more durable and stable than plantation-grown stock, which now makes up much of the supply.Genuine Mahogany is a classic for fine furniture, cabinetry, boats, guitars, carving and turnings. Tighter supply has given rise to substitutes such as Sapele and African Mahogany, but demand for the real thing remains strong.

Santos Mahogany (Myroxylon balsamum), also called Cabreuva or Balsamo, grows across Central and South America. It isn't a true mahogany, but it shares much of the look. The tree is also the source of Balsam of Tolu and Balsam of Peru, aromatic resins used in medicine and perfumery.The heartwood ranges from muted yellow-orange to, more commonly, a deep red, and it darkens with age. Figured, chatoyant boards are common. That's where the similarities with mahogany end. It's much heavier and roughly twice as hard as typical mahogany, with a medium texture.The grain is usually interlocked, which makes it harder to work, and it can blunt blades. Its natural oils can complicate gluing but give it a beautiful luster and finish, along with a faint, pleasant scent.Santos Mahogany's toughness and durability make it a popular choice for flooring in the US, as well as furniture, stair treads, construction and veneer. For a lighter, true mahogany, see Genuine Mahogany.

Sapele (Entandrophragma cylindricum) is an important African hardwood from the mahogany family, grown across tropical West and Central Africa. It's one of the most popular substitutes for Genuine Mahogany, at a significantly lower price.Its color ranges from light golden brown to darker reddish or pinkish-brown, darkening with age. It's moderately durable and stable, with a beautiful natural luster and a faint cedar-like scent when cut.Sapele is famous for its figure, especially the ribbon stripe on quartersawn boards, and you'll also find pommele, quilted, mottled, waterfall, beeswing and fiddleback. Highly figured boards can command high prices. It works, turns and finishes beautifully, though interlocked grain can tear out when planed, so take light final passes.The trees grow very large, so wide, long boards are readily available. Sapele is used for furniture, cabinetry, doors, windows, guitar backs, sides and necks, boatbuilding, flooring, turnings and veneer. For a close cousin, see Sipo.

Makore (Tieghemella heckelii), sometimes called African Cherry or Cherry Mahogany, is a beautiful hardwood from the rainforests of West Africa. It's strong and durable for its moderate density, it's often used as a mahogany substitute, and it has served many roles in its native Africa for centuries.The heartwood ranges from pink to light and medium reddish-brown, with clearly paler yellow sapwood. Quartersawn boards often show striped, mottled or even beeswing figure, with a fine, even texture and a lovely luster.It's usually straight-grained and easy to work, though some boards are wavy or interlocked, and it turns well. Its silica content can dull blades, so carbide tools help, but it gives the wood a fine luster and causes no trouble with gluing or finishing. The fine dust can irritate, so use good extraction.The trees grow very tall, so long, wide and thick boards are available. Makore is used for fine furniture, cabinetry, boatbuilding, flooring, turnings and veneer, and its color makes it a handsome alternative to Cherry.

Mopane (Colophospermum mopane) is one of the densest, most stable and durable woods in the world, and still one of southern Africa's best-kept secrets. The tree is known for its butterfly-shaped leaves and is an important food source for the mopane worm, a local delicacy. We stock the roots, and the details here describe the wood.The heartwood is medium to dark brown with a golden to reddish tint, often with black streaks. It's very resistant to insects and has long been used outdoors in its native region. Root pieces offer some of the most interesting figure, with swirling grain and natural shapes.The interlocked grain and great density make it hard to work, but it turns smoothly, polishes to a deep luster and holds fine detail. The trees grow wide and irregular, so large boards are rare.Mopane has been used for centuries for carved woodwind instruments and is valued for its tone, similar to African Blackwood, and it's used today for bagpipe chanters and clarinets. It's a favorite with turners and carvers, and root pieces make striking bowls, bases and natural-edge art.

Nogal (Juglans spp.), also known as Peruvian Walnut or Tropical Walnut, is a true walnut that grows in the Andean regions of Central and South America.It's typically darker than American Black Walnut, a deep chocolate brown, often with black lines and occasionally a purple tint. Like Black Walnut, it's usually straight-grained with a medium to coarse texture and good luster, though figure is less common.It's very easy to work, stain, glue and finish, though irregular grain can tear out when planed. It's slow to dry, so it's usually cut into 4/4 boards and carefully air-dried before kilning. It's moderately durable but best kept indoors, as it can attract insects.Nogal has a density and working properties very similar to Black Walnut, making it a great alternative when you want an even darker tone. It's used for furniture, cabinetry, flooring, interior paneling, gun stocks and veneer.

Koa (Acacia koa) is one of Hawaii's most beautiful native hardwoods and grows only on the Hawaiian Islands. It's sometimes compared to mahogany in appearance, and it holds a special place in Hawaiian culture, traditionally used for canoes and surfboards.It's generally medium to reddish brown, though color varies a lot, from golden to deep chocolate. Figured boards with strong curl and chatoyance are highly prized and can seem to glow under finish.It's quite stable and fairly easy to work, except where the grain is highly figured or interlocked, where sharp tools and light passes help. It glues and finishes well, and a clear finish brings out its depth.Koa is a very popular instrument wood with a rich, warm tone, used widely for guitar backs and sides, tops and ukuleles. It's also used for fine furniture, gun stocks, turnings, boxes, veneer and specialty pieces. Supply is limited, and highly figured boards command a premium. For a similar look at a friendlier price, see Australian Blackwood.

Louro Preto (Cordia spp.), also called Laurel Negro, is a South American hardwood and a close relative of Bocote and Ziricote, though it's often overshadowed by them.The heartwood is typically medium brown with red and green tints, sometimes with bold dark brown lines and streaks, and it darkens considerably with exposure to light. The sapwood is pale and easy to spot. The grain is calmer than its cousins', usually straight or somewhat irregular, with a fine to medium texture and the impressive natural luster typical of the genus.Despite its natural oils, it usually glues well, and it's easy to work, though some boards contain silica, which can dull blades. It turns smoothly and finishes to a lovely sheen.Supply in the US has always been limited, partly because demand has gone to its flashier cousins, but Louro Preto is a handsome, understated choice for furniture, cabinetry, boxes, guitar backs and sides, turnings and veneer.

African Mahogany (Khaya spp.) covers four closely related species and is one of Africa's most commercially important woods. It grows across tropical West and Central Africa and is a strong, tough, durable wood with many of the same qualities as Genuine Mahogany.Depending on origin and species, it ranges from pale pink or muted orange to darker reddish or golden brown, sometimes with darker stripes, and it deepens in color over time. Ribbon, wavy and mottled figure and varying chatoyance can make it very attractive.The grain is straight or interlocked, with a medium to coarse texture. It works, turns and finishes easily, though interlocked boards can tear out when planed, so take light passes. It glues well and takes stain evenly.Its popularity as a mahogany substitute has led to plantations in Latin America as well as Africa. It's used for fine furniture, cabinetry, boatbuilding, guitar necks and bodies, turnings, millwork and veneer. For a close alternative, see Sapele.

Holly (Ilex opaca), also called American Holly, is the closest thing to a truly white wood. It's prized for its consistent pale color, which shows little to no visible grain, and it holds that color well over time.The wood is ivory white to very pale grey, with a fine, even texture. Holly has to be dried quickly after cutting to prevent blue-grey fungal discoloration, so it's usually harvested in winter and kiln-dried promptly. That's why truly white boards command a premium.It glues, stains and finishes well, though interlocked grain and knots can make it tricky to work. It turns and carves beautifully. A clear, hard finish helps it keep its color, and it isn't durable outdoors.Traditionally used for inlay, stringing, marquetry and accents, it's becoming popular with turners for its looks and turning qualities. It's sometimes dyed black as an ebony substitute for decorative work, though it isn't dense enough for most instrument uses. For a creamy yellow alternative, see Boxwood.